wherein I sing a Scottish song

saltire

freedom, etc.

I’ve been listening to Meursault a lot recently. They are excellent, recognisably Scottish and feature my old Edinburgh associate Fraser. They’re on iTunes and Amazon and everything.

Here is me funneling their noise through my bodily systems and into my iPhone. On the widget below you can listen, download it, comment it, all that stuff. This is off the latest album All Creatures Will Make Merry.

The other great thing about blasting out Meursault tunes is that I can sing in my own accent without it sounding weird! Bonus (happy now Dad?). This one is dedicated to Brian and Emily who kept poking me to post more stuff.

Technical stuff: got it on the third take. It’s DADGAD tuning with capo on 3rd; check out the videos online to figure it out. The iPhone 4 seems to have put a few clicks in there that Garageband can’t get rid of (low-tech, hell yes). I’d think about adding some overdub to the ahhhs at the end but I’m keeping these recordings as unfucked-with as possible.

by air

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films from far lands 2010

I posted about the NYAFF this time last year, and that entry is still on the front page! Oh facebook and twitter, how you have robbed personal blogs of material.

Here’s the festival trailer for 2010 (best enjoyed full-screen, right-click and Watch on YouTube):

This video was embedded using the YouTuber plugin by Roy Tanck. Adobe Flash Player is required to view the video.

This year I’m committed to:

Come join me in the madness!

by air

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eine kleine musik

a hat

A hat, yesterday

In 2009 my then-GF got me into The Veils, a kiwi band featuring hat-wearer extraordinaire Finn Andrews.

Now and again I mess around recording stuff with Voice Memos on the iPhone. Since I managed to get through three minutes of a Veils tune without any major fluffs, here it is in all its low-fi glory. You should be able to play using the widget here. If the play button doesn’t appear below, you probably need to view this post on TF as intended, or just get the mp3. Listen out for the plectrum-hitting-table noise at the end, it’s a highlight.

To hear the proper unmangled version, get Sun Gangs. Old suedefaced Bernard Butler worked on this one, the opening track.

Also this is probably a good opportunity to plug Stu’s band Kontakte, who employ more advanced recording techniques : )



by air

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The iPad. Is it baws?

Early in the year I have a bit of post-bonus disposable income, so I indulged in some wallet bukkake and ordered an iPad. Here is what happened.

First impressions

I’ve used an iPhone for a couple of years now, so that gives you a certain perspective. The icons and such look very familiar. The first thing that hits you is: holy shit there is just a ridiculous amount of screen space. In reality it’s a modest 1024 by 768, but after using a phone it’s pretty striking. I think how you react to this device depends on what you compare it to: is it a big phone, or a small computer?

Although you have this expanse of screen, the icons and buttons are still iPhone-sized. They feel dwarfed, relatively speaking; you have to aim carefully with your fingers.

Typing

a pad

An iPad, yesterday

This is critical for me: the killer iPad use for me is lounging about on the sofa typing shit up.

At first typing is definitely weird. The reason: no tactile feedback. It is not possible to touch-type on a glass screen. This means you have to look at the keyboard most of the time, which is unnatural; the letters are appearing somewhere up there in hopefully the correct order.

After some time you get used to it, eyes flicking back and forth. I completely rely on landscape mode though (bigger keys to hit). The little keyboard clicks are indispensable.

Last bit of weirdness: an iPad forces you to cut your fingernails really short! Long-nailed typists just receive a series of clacky noises and nothing happens.

The good stuff

Things with big sweepy gestures are lovely. Google Maps is a whole new experience; it genuinely feels futuristic. You are holding a high-res atlas that comes to life in your hands; looking down, you sweep the world below you around, grinning like a retarded god.

The feel of the iBook is great. There’s a wee gimmick where you can grab the page and wave it around instead of just reading the fucking thing. The popup dictionary is beautifully styled and charming.

Random stuff:

  • IMDB is outstanding, very polished.
  • Frotz uses all the space! Lovely.
  • Evernote have made a decent effort but there’s no A-Z index of your notebooks.
  • Netflix is magical: all your Instant Play films appear on the device, just like that.
  • Wikipanion is good for WPing.
  • Epicurious is great, swipe-able food and cocktail recipes.
  • There are few ‘native’ Twitter apps yet (just Twitterific so far). The best Facebook interface is just using the website in Safari.
  • Oddly enough, games that use virtual joysticks play much better! Critical Wave, Mini Squadron.

The baws

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by air

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the facelessness of bureaucracy

form B-12/alpha, please

In Amurka, there are companies called ‘credit bureaus’. They keep track of your borrowing habits – not very accurately, mind you – and make up a number to say how financially irresponsible you are.

They operate an exceptionally closed scheme. Trying to talk to a human at one of these places is nigh-impossible without making some kind of offering; usually pumping them with cash for access to your details. Your details basically consists of a number, but they dress it up with exotic branding nonsense along the lines of the CreditPeep 5000 CashSpunker Plus. I’ve spent a month or so pissing around with arch-cockhandles Experian, and convincing them that some other guy with a similar name is not me, and can they please take all his nefarious dealings off my record, thank you very much.

Long story short, that’s now done. If you need to deal with credit bureaus, I can offer some effective voodoo.

Just when I thought all the form-fiddling was done, Amex call to say they’re not 100% convinced of my identity, and could I please fuck off down to the Social Security building and get a note proving my social security number. Well of course, nothing would give me greater pleasure.

If you’re thinking dealing with the Social Security (SS for short – YOU SEE?) would be a patience-mangling, Kafkaesque nightmare, you’d be totally correct and would in fact win a biscuit.

The downtown building squats massive and intimidating. It has FEDERAL BUILDING spackled all over it and cops everywhere. There are 15 entrances and only one is the right one for you, and you have to know what the department name is, exactly and without using synonyms or cheating. You have to negotiate with guards who speak only rudimentary dolphin. Once I found the right entrance I gained 2,300 experience points.

Once in the door you are welcomed with a warm and friendly metal detector scan and body-furtling.

There are 50 floors. Your correct floor is listed in Greek using a 6-point font on a tea-tray stapled to the wall behind a pillar in the lobby.

Once you find the right room, things look more familiar – clerks behind bulletproof glass, people waiting. You dither slightly trying to figure out the waiting system, before a security guard with a table of forms waves you over. He appears to be first-generation Namibian and has only the vaguest idea of what is going on around him. He delivers his opener with all the twinkling intelligence of a poached egg:

IN WHAT BOAR YOU LEAVE?

Sorry?

IN WHAT BOAR… YOU LEAVE?

[Long pause while my brain executes intense pattern matching algorithm]
Are you asking me… where I live?

YES

Ah, Manhattan.

PRESS 1 ON MACHINE

A ticket! Result.
Next, a long wait; expected. Then, called to the desk! I have rehearsed what I will say. The lady is short and first-generation Chinese. I get the first word in:

Hello, so to be clear I already have a social security card [brandish my card] – I’m just looking for -

YOU NEED APPLICATION FORM!

Whoa.
Sorry, for what?

YOU NEED APPLICATION FORM!

But I already have a card, here -

YOU NEED FORM! TALK TO GUARD!

I need a form to speak to you?
[There is a pause]
[People in the waiting room have gone quiet, amused by the exchange and my desperately clear enunciation]
[Clerk looks for the fifth time at the card I am holding against the glass, and in the cold lonely void a lightbulb illuminates]

AH YOU HAVE NUMBER! YOU NEED LETTER!

Normally you go up to clerks on the assumption they know more than you do, cap in hand. I instead walked out full of dismayed sympathy, but relief at accomplishing the mission.

The frustration in dealing with these muppets reminded me of the constant satirising unleashed by Douglas Adams on this topic, both in his books and also in the 80s text adventure game Bureaucracy. Actually the AI in that game surpassed most of the humanoids I dealt with this week.

P.S. the post title is from the Vic Reeves’ Big Night Out classic, here preserved on your intertrout.

P.P.S. So I don’t forget, my social security number is [WPRESS exception in db.getHandle() - too many connections]

by air

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Don’t Panic!

This image gives us an idea of our small place in the (known) universe.

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by stu

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What does Kanye West think of this site?

Click here to find out…

by stu

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press your buttons… NOW

After nearly eight years of blogging there are inevitably a few gems buried in the archives of taking fire. In an effort to revisit past glories I’ve added voting buttons to each entry.

If a new post tickles you, or particularly if you find something old that deserves more attention, hit the Vote button to bump up the magic number.

Over time I’ll add better ways to get at the top voted entries – for now there’s a rough list on the sidebar. Happy voting.

UPDATE: I ended up blowing this away after the sidebar was taking ages to load – terrible bit of SQL. Happy googling!

by air

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panorrrrama

Last Friday it was a lovely day, so I took the vanguard for a ride up through Times Square and beyond. I stopped at the ruby ‘bleachers’ to test out this fancy panorama app for the iPhone.

Pull on your Java pants, take a sip of coffee and hit the ‘read more’ link to see what Times Square looked like last weekend, standing proudly atop the crimson stair. It should scroll lefty/right and a wee bit up/down too.
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by air

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the medium is the message

the lost art

the lost art

Exactly three years ago I woke up at Caitlin’s place in Bushwick – it was the would I like to live in New York? trip – and scribbled down an idea. I finally finished it up now. That is a pretty shocking work rate.

It’s on the joy of damage and it’s called dear sis. On Firefox it’s pretty clear what to do; with IE (ugh) or Safari or Chrome you have to be more curious.

I do think there’s a metric ton you can do with words on screen that’s impossible on paper. For the most part it’s unexploited.

by air

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